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Tennis Player Michael Joyce's Professional Artistry as a Paradigm of Certain Stuff about Choice, Freedom, Discipline, Joy, Grotesquerie, and Human Completeness

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Revision as of 08:07, 30 April 2009 by Lrose (talk | contribs)

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Summary

As Jordan Ellenberg notes in a review for the Boston Phoenix, "Michael Joyce is explicitly presented as a kind of artist, whose unselfconsciousness is a model for the post-ironic novelist to emulate."

Themes/Motifs

Voice

Context

Criticism