Relative Taste

I’m having a really hard time with the idea that taste is merely relative. Of course, I agree with Bourdieu that our taste is shaped from an early age and is shaped by a various forms of knowledge. However, despite acknowledging rationally that there is no real foundation for a hierarchy of taste and culture, my gut instinct is that the idea of pure relativity in terms of taste is false. ( I have the same problem with supposed relativity of morals.)
In Jenkins’ Textual Poachers it almost seems that in the cultural studies shift to looking at the individual’s method of relating to and using an object has gone too far. Jenkins argues that “Fan culture muddies” the boundaries between legitimate and non-legitimate culture (or taste) by “treating popular texts as if they merited the same degree of attention as canonical texts.” However it seems clear to me that the fact that fans of star trek are interacting with star trek in the same way academics interact with Dostoevsky does not immediately mean that both Dostoevsky and Star Trek are on equal playing fields. It seems to be that there is a huge discrepancy between knowing and interpreting Dostoevsky’s work because it fascinatingly and imaginatively grapples with huge problems, such as the role of the Catholic Church, the problem of evil, man’s relationship to freedom, etc. etc. and knowing and interpreting a particular chick flick because it fascinatingly and imaginatively grapples with problems of finding and and seducing a goofy, nearly useless husband. (Wow this is really going off a deep and mushy end, but even if you look at food, it seems very hard to argue that something such as Warheads cannot be seen as anything other that worse taste than fresh bread. Bread provides nutrition in a way that warheads don’t and Crime and Punishments provides more nourishment for the “soul” than a chick flick ever could… I know some of you are going to rip me apart for this. In my defense I haven’t been sleeping lately.) Although, to kind of argue against my own point, Jenkins also seems to suggest that fans are not messing with the legitimized hierarchy of taste with the recognition that culture should not be hierarchical. Rather they are “muddying” the boundaries because they believe that the work which they are a fan of is superior to other works. Jenkins gives the example of a fan of Beauty and the Beast who paints a history of TV shows which is dominated by particular works that stand out from the crowd of broadcasts that are “characterized by their ‘poor writing, ridiculous conflicts offering no moral or ethical choices, predictable and cardboard characterizations……’”(17).
I’m not sure what to make of this…

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